Cool Hunting
Three years after the debut of Highly Evolved, a 2004 release that barely registered, and frontman Craig Nicholls' diagnosis wth Aspergers, the Vines have a new album that came out this month called Vision Valley. Haters can say what they like, sometimes good old pop-infused rock that does little more than validate the originality of their influences just feels good. Vision Valley is full of the grunge-heavy chord progressions and slightly strained vocals—that satisfying mix of blues-based guitar and artsy angst—that got them the Nirvana comparisons in the first place. Just when the resemblance to Cobain sounds almost creepy, Nicholls changes it up with Oasis née Beatles-style harmonies and ballads like the title track "Vision Valley" and "Going Gone," which recall their 2002 Supergrass-esque "Country Yard." Whether referencing themselves or seminal musicians, The Vines do one thing and do it well; they make seamless rock and roll for the post-everything generation.
Pick it up from iTunes.
|
previous entry Screwhead and Dovetail Tape |
next entry Stuffbump |
by Tamara Warren Long a critical part in spreading the look, attitude and emotion of a burgeoning culture to the masses, the new book "Who Shot Rock 'n' Roll" helps define rock photography as a genre of it’s own. Historian and author Gail Buckland captures the depth and breadth of the field’s most talented purveyors in her twelfth book of photographic examination, which Knopf will...
Well schooled in the fuzzed-out guitars and ambient vocals of the shoegaze canon, Gliss brings a wall-of-sound approach to their dark pop compositions. In the two years since their more somber and mopey debut, Gliss is back with "Devotion Implosion." On the record, the Los Angeles triumvirate evoke the best elements of My Bloody Valentine and the Jesus and Mary Chain, displaying anthemic qualities...
If one were to throw a rock in the western part of Brooklyn, it'd likely hit the supporting member of some transplanted indie rock band. With everyone and their mother's band relocating to the borough, it presents a problem for a five-piece, guitar-driven rock band like Harlem Shakes to rise above the fray. They may get their chance with "Technicolor Health", the band's debut...
From the utterly personal collection of an anonymous donor, "Backstage Pass" is a book of 120 striking photographs of rock & roll's greatest contributors. As curious as the unnamed collector himself, two compelling qualities define his accumulation of photos. They're all taken during the artist's prime and the musician is actually making eye contact with the camera, affording a small glimpse of the person behind...
The inexplicably named Hockey is the latest band from the Pacific Northwest to stockpile praise in the press and blogosphere. Based in Portland, Oregon, the four-piece group play a brand of electo-tinged dance pop that doesn't shy away from copious handclaps and catchy '80s-style hooks. Vocalist Ben Grubin sounds something like a wordier Julian Casablancas with a penchant for vocal flourishes as he recounts...
Two years since releasing the Handsbreath EP, the Bay Area folk group All My Pretty Ones return with their debut full-length, Tone Poems. A mix of brand new and previously recorded tracks, the record transcends the somewhat limiting "folk" classification seems limiting. While the disc's 11 songs are heavily based around traditional folk ingredients (acoustic guitar and vocal harmonies) the collective's eclectic musicianship shifts...
